Search results for "gender politics"
showing 3 items of 3 documents
“Fear No More”: Gender Politics and the “Hell” of New Media Technologies in Michael Almereyda’s Cymbeline (2014)
2018
The paper focuses on Michael Almereyda’s Cymbeline (2014), a modernized re-telling of Shakespeare’s play in which the Briton motorcycle gang, led by drug kingpin Cymbeline, comes into conflict with the Rome police force, led by Caius Lucius. In the film, which has been defined as “Shakespeare in the Instagram age,” sustained attention to media practices and technologies competes with the incorporation of textual material. In particular, the film displays a conflict between old media, including Shakespearean textual inscriptions (e.g. the “Fear No More” woodcut that Posthumus makes and sends to Imogen as a gift), and new media technologies, pervasively associated with perverse visualization …
Tiempos felices: Transformaciones en las tecnologías psicológicas de gobierno de la subjetividad
2020
This paper traces some inflections in the psy disciplines? discourses and technologies for the government of subjectivity during the last decades. It is focused on exploring different mechanisms through which psychological disciplines ?their discourses, techniques and practices? penetrate social life and contribute to establishing subject models consistent with transformations in the political and economic rationalities of late capitalism. Drawing on previous research in the field of gender politics and happiness discourses in the pop psychological culture, I track a line with three moments: i) the production of psychological individuality and identity normalization; ii) the proliferation o…
Deconstructing Gendered and Colonial Violence in the Re-Imagined Nineteenth-Century: Domestic Traumas in Neo-Victorianism on Screen
2023
En esta tesis, examinamos el colapso del concepto idealizado de familia nuclear en las sociedades occidentales a través de la (mala) representación de los traumas de género y coloniales en el neovictorianismo audiovisual. Para ello, analizamos cuatro textos audiovisuales neovictorianos producidos en la última década: Crimson Peak (2015) de Guillermo del Toro, Penny Dreadful (2014-2016), Taboo (2017-presente) y Carnival Row (2019-presente) a través del marco teórico de los estudios de trauma. Nuestras hipótesis de partida son (1) estos textos audiovisuales neovictorianos aparentemente proporcionan una representación feminista de los traumas de género dentro de los confines de la familia nucl…